Tuesday, July 31, 2012

Review: Girl Genius by Kaja & Phil Foglio (2001-present)

Girl Genius is an ongoing online comic set in an industrial Europe where "sparks" are fanatic mad scientists whose prowess can break the boundaries of possibility. The plot follows the adventures of Agatha Heterodyne, a young university student who discovers that she has been hidden as the most powerful spark in Europe. As her skill quickly begins to blossom, Agatha is forced to choose which side of her lost family to emulate: her father, descended from a line of conquerors but himself the greatest hero in memory; or her mother, a shadowy manipulator whose inventions have toppled empires. Among the countless colorful characters Agatha meets are Gilgamesh "Gil" Wulfenbach, energetic heir to the Empire of Europe; Tarvek Sturmvoraus, a deceptive prince with access to Agatha's family secrets; and Emperor Krosp, Agatha's talking cat.

This comic is unique in a wide variety of ways. First of all, you're not going to find another webcomic of this quality that churns out three comics a week. Their staff is religious about deadlines; they always update at midnight, even on the occasion when the colorist had a heart attack. And the finished product looks fantastic. The brightness of the art, including the style that seamlessly fuses wacky cartoons with breathtaking landscapes, makes Girl Genius fantastic even from a purely visual perspective.


One of my favorite aspects of the comic is the way science and magic are fused. There's not a huge amount of technical description, both because the science is unworkable and because they probably want to keep it exciting. This makes almost anything possible. There's a huge amount of monsters, most of which are explained as genetic constructs, and many of the wizard-like characters are actually scientists who have adopted a magical style. Many people have called the comic "steampunk," which is frequently ambiguous anyway, but the creators have gently objected to this label, noting that nearly every imaginable power source, not just steam, powers the crazy machines. My favorite is a giant robot squid whose gas valve is labeled "unleaded."

The story is also amazingly intricate, especially for a project that has been going on for so many years. Against its credit, this can make it hard to keep track of the plot points. Many of the events currently happening are explanations for things alluded to years ago, which a reader would forget without going back and reading it again. For this reason, I'd recommend reading Girl Genius all at once, or at least volume by volume, to avoid being bored or confused. But do read it! It's at your fingertips, and it's unlike anything else I've seen.

Thursday, July 26, 2012

Long Story Short


[Hi everybody! I've been lost in the unfamiliar territory of JOBS, so I haven't updated in a while. Sorry! I'll be back on track soon. Here's a short story I wrote roughly a year ago. Enjoy!] 


           Not much inspires quite the same flavor of crystalline terror as watching a dazzling winter sunset and knowing there’s no going back inside tonight. Bittersweet, it snags onto your tongue like an icicle and drags it down, down over the horizon until your brain is pulled straight out through your mouth and everything dissolves into blackness.
            My eyes are already stuck in that direction, so I look on. Our Sun, Helios, the ultimate provider of warmth, light, and life (until Prometheus, the great-granddaddy of all us couch potatoes, taught his buddies how to drag it inside, away from God) is throwing a nuclear fit as big as a million Earths and as small as two atoms of hydrogen. From my refracted perspective within the troposphere, all I can see is a dazzling display of photons that leap down from heaven and splatter themselves across the whole sky, catching cotton cloudy canvases with tufts of saffron, nacarat, rose-pink and indigo. Normally I’m a sentimental guy, but this evening I can’t forget that when the light show ends, my worldly existence is soon to follow.
            The display is made many times more breathtaking by the billions of ice crystals that reflect colors back and forth at each other like a light-speed game of Pong. High above, stars begin to stare down with a cold constancy normally found in the eyes of job interviewers. I shift my aching, frostbitten feet slightly, careful not to disturb the gentle equilibrium my floe keeps above the lapping waves. I’m the only dull-colored object in sight. As if the scenario weren’t humiliating enough, now I feel like a blot on a glittering, pristine, snowball Earth.
            As ridiculous situations go, I think, tugging the legs of my jeans to stop the snow from soaking them, This one should win an award. I’ll remember it for the rest of my life… that is, for the next few hours.
            The earlier dawn broke upon a promising scene; the weather had dropped down to thirty degrees Fahrenheit again, and a few tantalizing wisps traced the edge of the sky. I woke and wistfully gazed out at them, now and again looking back at the brown grass all around and imagining it painted white. A walk was the order of the afternoon.
            I don’t know what made me wear jeans instead of shorts. I rarely do. They hardly heat me; the chilly denim rubbing against my skin often counteracts the warmth trapped by the twin shag carpets of hair I cultivate on my legs. For me, long pants serve only a social function. In New York, if not also other parts of the world, the knees are considered among the private parts when the temperature drops below fifty-five. Thus, one can be fully clothed and still experience the accusation, “Why aren’t you wearing pants?” It takes some accustoming, and I’m a slow learner.
            Normally I disregard all of it. Even without an elevated pulse, my legs are usually cozy until the temperature falls into the single digits or below. Besides, baggy shorts are nearly a universal fit. Blue jeans, the everyman’s standard pick, are too restrictive in all the wrong places. Even the ones I’ve had measured for me are short if they’re narrow enough and wide if they’re long enough. I don’t blame the clothing industry or anyone else for my peculiar proportions. But until today, I’d never been thankful for canvas on my shins.
            The freeze arrived suddenly, softly, like a glacier sped up to take moments instead of centuries. The gulls noticed it first. One by one, they stilled their squawking and turned northward, keen eyes inspecting the Long Island Sound as if they had never seen it before. Then, not in fear, but as if all at once notified of a great inconvenience, they surged into the air and began an unplanned, southbound migration. I watched in detached awe from the trailhead high above the Kings Park Bluff. It was like sitting outside and observing a fire drill. Neither of the two old men down by the parking lot looked up from his cigarette, but the orange stray cat by the dock followed the flock with wide, impassive eyes. Then she turned and slipped up the road.
            Cell phone service is poor in the park, especially as I made my way down to the beach. My phone had been off for most of the walk. It rested comfortably in my back pocket, leaving room in the front for only the most essential knickknacks: wallet and keys. Blue jeans are meant to be sleek and subtle, to blend in. The instruction manual does not recommend the cramming of curios. Standing only feet from the lapping, briny shoreline, I buried my hands in the sweatshirt pockets, which are reserved exclusively for my numb hands. Then it happened.
            It took a moment before I realized that feeling had fled not only from my fingers, but also from the rest of my body. Slowly I gazed around, from the sand to the drowsy waves to glittering Connecticut far across the Sound. Although nothing was happening, each moment took longer than the last, draining me of motivation even to question what was occurring. The swishing whispers of the waves began to fade as if receding into the distance. It was as if my brain and my surroundings are decelerating, preparing to shut down. I tried to sigh but was unable. I tried again. I was stuck. Nothing hurt. Nothing moved. It was still for the longest moment and eon of my life. Everything melted into white light.
            I often wonder about Heaven, on the off chance that I earn a posthumous ticket of absolution. Doubtless the temperature is perfect for everybody, but I hope they don’t mind my wearing shorts anyway. I’ll wear them beneath my robes if I must. After all, the pockets would be bottomless: perfect for packing my spare wings for that overnight trip to the Aurora Borealis.
            I’ll know I’m in Hell if after I die, I find myself in a 100000 ˚C room, wearing itchy jeans I can’t remove.
            But neither of these seemed to be taking place today. Gradually I became conscious of a searing pain in my head, as though a hibachi chef had sliced it into bits waiting to fall apart. This agony extended down to my hands and navel, but everything below my waist had become tingly and warm. Stale carbon dioxide steamed in my burning lungs. Even as I stood suffocating the scream, the tingling warmth spread, colonizing my organs one by one. It was the scorching heat and eventual relief of stepping inside from a blizzard.
            Ahead was nothing but an eternal landscape of freezing fog, yet even as I strained to blink, the crystals coating my eyes melted into tears which flowed forth to reveal the clear, sparkling world.
            No sooner had I the chance to take in the drastic changes in my environment than I buckled forward to an earsplitting crack! Ice water flowed into my shoes, sending an electric wave of panic from my ankles up to my screaming brain. I scrambled forward onto the upheaved sheet of ice, which flattened as I lay panting, inhaling thanks for my narrow escape and exhaling befuddled ruminations of what the hell was going on. The surface was soft and crunchy. I could feel sweat rising in wisps my neck.
            Only after a moment did the full implication of my scenario occur to me. It was probably the gentle rocking that clued me in. I looked over my shoulder and past my elbow to observe the shore granting me a gradual adieu as I bobbed out to Sound.
            The floe drifts slowly; by now, after a few hours (judging from the sun) I think I’m only a mile or so from the shore and many more east of Kings Park. Or I could be somewhere completely different. At least I know it’s sunset. Wait: that’s no more. In my rueful reminiscence, I forgot to stick my tongue to the sun again, to taste and try to anchor it above the horizon with my soggy feet stuck to the ice. If there’s only one thing that breaks down whatever it is that ordinarily shields me from the cold, it’s being wet.
            Now, with only starlight and the last receding pink glow over the remote spires of New York City to illuminate my thoughts, I realize that the jeans must have saved me. Irony, my on-again, off-again inamorata, must have wrapped them carefully around my calves in anticipation of this catastrophe. If I escape this alive, if anyone else has weathered the freeze that seems to stretch to each horizon, I’ll never attempt to deflect their denim-coated criticism of my attire again. The world sure was right about the wisdom inherent in an extra eighteen inches of fabric.
            A pinpoint of light catches my eye. Where was it? What was it?
            There it is again! There’s a boat, and it’s approaching! It cuts through the shadowy surf like an angel of mercy riding a silver bullet. I pause to imagine the Grim Reaper at the helm, ready to escort me to my awaited doom. So that’s why the United States employs a Coast Guard!
            Without warning the floe is violently jarred and jerked down in the back. Dumb reactions save me and I seize the edge of the ice to prevent myself from sliding backward to my doom. A frenzied snuffling fills the air now below me, and I dangle by my fingertips as the heavy ice sheet is tilted almost vertically.
            “Damn it!” I yell aloud in panic. “A polar bear?! It’s not really that cold!”
            The boat’s motor is audible now, and its searchlight is trained on the rocking shard of my crisis like an angler closing in on its prey, but will it reach me in time? And was there room for a gun in the captain’s pocket?
            The bear roars in similar frustration, black eyes seeming to glow red from beneath matted fur as I glance, horrified, to the yellow teeth into which I’ll plummet if my fingers relax a degree or two. It belches ravenous puffs of steam up to my face, but I can’t hold my nose. Under the beast’s weight, the ice begins to sink, and it swings a paw at my leg.
            I gasp, anticipating a grisly injury.
            But the deadly nails only hook into my jeans and tear them off at the knee. I hoist the leg up, but another swipe takes the calf off the other leg of the garment.
            In one of those moments in which I’m too blinded by fear to ascertain quite what happens, the ice flips, and I wind up on top of it. Silver wind rips at my now-exposed calves and my already-exposed face. The bear grumbles below the surface, swimming apart for another strike. But the search boat has rumbled up to my little disc of ice, drowning my senses in wild light that reveal me, coated in frozen sweat, half my jeans torn from me.
            The man below the searchlight can only stand there dumbly, a ready floatation device forgotten in his gloved hands. “What the hell, kid? What are you doing out here in shorts?”

Monday, July 16, 2012

Review: The Name of the Wind by Patrick Rothfuss (2007)

I'll be honest: despite what I say, there are times to buy the book at the front of Barnes and Noble. If I were the kind of snob who read only Hugo Award winners, I'd have no idea what anybody else is reading and thinking. You can argue that I have no idea anyway, but at least now that's irrelevant to what's popular.

The Name of the Wind is all about Kvothe (pronounced nearly the same as "quothe" (that's what the dust jacket says, but most of us who aren't Edgar Allen Poe have to think twice anyway)), a mysterious innkeeper who turns out to have a legendary past. Kvothe is discovered by an enthusiastic Chronicler who persuades him to tell his memoir in three days (one day for each book of the series). The Name of the Wind details his origins, beginning as the son of traveling players, continuing through his days as a homeless teenager in the big city, and concluding with his escapades at the University. At every turn, Kvothe is forced to make great sacrifices in order to pursue love and magical knowledge, but frequently he is pressed into choosing one over the other.

I'll start with something this book does right. For me, the best feature of the story is the stylistic completeness of the world in which Kvothe has adventures. Rothfuss is not shy about getting technical with anything, not just including magic: he explores politics, economics, music, archiving, metalworking, organized crime, dendrology–you name it. As someone without a Ph.D. in Everything, I didn't feel equipped to question the accuracy of his explanations, which did a good job of convincing me they were true. At the least, they were consistent with each other within the world of the story, which is all I needed to enjoy it.

The biggest problem with the book is Kvothe. It's blatantly obvious that Rothfuss wanted to make a cool character and designed the rest of the story around him. This is fine and even common, as seen in Beowulf, A Wizard of Earthsea, and everything in between. But Superman needs kryptonite to make his adventures a challenge, and a fantasy hero needs some kind of character flaw other than, darn it all, being just too awesome for his own good. This is a description that isn't convincing, and unfortunately, Rothfuss applies it to Kvothe. Kvothe is the best musician in the world, the best magician, the smartest... it gets tiresome. I think his studies in the University actually are leading him to a Ph.D. in Everything. He's the center of attention even when he's not narrating, and he doesn't seem to mind, which automatically makes me dislike him.

On a lesser note, I couldn't buy into the University, either. Academia is a useful place, but it's so unlikely to be a teach-all in your fantasy kingdom that I found it to be the most unrealistic part of the story. It's blatantly modeled after a modern American university. Good fantasy does more than translate something as a one-to-one symbol; it creates something new to explore a variant possibility grounded in human sense.

In spite of all this, the plot is quite good, and I'm looking forward to reading the sequel. Rothfuss doesn't mess around with useless anecdotes. Every detail is relevant, and he leaves hanging threads in a way that the sequel will be able to pick them up. The climactic action scene is really a culmination of most of the stuff that happens previously in the book. And the villain behind the scenes seems like he will be very solid when he appears again.

Read this book! For a popular interpretation of the fantasy hero, it's pretty good, if not genius.

Monday, July 9, 2012

Is Genre Empty?

You may have noticed that this blog is mostly about the workings of fantasy, but it's worth noting exactly what that is. The implications of this question can reach as far as your worldview, politics, religion, and personal ethics. It can reach as low as to be a synonym for things I try to avoid when I'm searching for "fantasy art" on Tumblr. But as a writer, I try to focus on fantasy literature, which has a history, politics, and morality all its own.

Ursula K. Le Guin is the writer who tends to express this in my favorite terms, but I'm still going to try from my perspective as a guy 60 years younger, yet to move beyond self-publishing. Her gripe is with the division between "literary fiction," which is okay to be taken seriously, and genre fiction, which is banned from the privilege of valued criticism.

The difference can be seen on several levels. First, there's the level everyone has seen: the issue of sales. In a bookstore, it's easy to see the separation between genre fiction and lit-fic. Frequently at the front of a typical bookstore stand a couple of tables full of the recent bestsellers (or just what they expect you to buy). Genre fiction is frequently here: just think of the popularity of Harry Potter, The Hunger Games, or Game of Thrones, and try to think of three works of realistic fiction, written in the last ten years, that have sold as well. These are the books that get the movies and television shows. But I know many people who consider genre to be contrived; perhaps this has a connection to popular, obviously-contrived reality television. People go to corny fantasy in order to escape, heedless of the fact that the true journey always involves a return trip.

This is closely related to the social problem of genre fiction. I'm talking about talking about books. How do you describe your reading habits to your friends? Many people don't, because they're somehow ashamed of what, how much, or how little they read. I have a friend who was genuinely surprised when I answered her request for a book recommendation, because most people hadn't given her a straight reply. It makes sense to use a person's literary preferences as a way to gain insight into his or her personality, but people want to look good, and genre can seem to indicate a loose grasp on reality. This is especially true because of trashy books like Game of Thrones, which are sold as a supplement to televised "reality" drama and then used as an indicator for all fantasy literature.

Here's an example from the history of this phenomenon. Peter Beagle, one of my favorite authors, describes a time when a publisher called him up to ask for a jacket quote for Terry Brooks' then-new novel, The Sword of Shannara. After reading the book, Beagle returned the publisher's call and told her that although he'd like to do her a favor, he had nothing good to say about the book and thought she'd lost her marbles before agreeing to publish it. "Trust me," said the publisher (and I'm paraphrasing from memory), "This will sell. There are people who read The Lord of the Rings forty-two times but can't get the energy to read it a forty-third... this will give them their fix." And she was absolutely right. This was the time when Tolkien-derived fantasy branched off into an offspring that was far more genre than story, which is how genre is most often considered today.

Here's a tangential disclaimer on which you can chew: I haven't yet read The Sword of Shannara, but it's not at the top of my list because I trust Beagle's opinion.

The academic side of this problem comes last because it takes the longest. The elevator on our ivory tower keeps jamming, and there are too many damned stairs. A large part of the problem has to do with funding. In recent decades, the legitimacy of the liberal arts has been called into question in entirely new ways, whereas it was untouchable for centuries. Like it or not, our new gods are science, statistics, and social justice, all pulled by the strings of who's got the dough. In order to justify its existence, college English departments have become, to paraphrase one of my professors, an amorphous monster that bites pieces off of other disciplines, or absorbs them entirely. Film studies? English! Drama? English! African-American voices? English! And since becoming a better person isn't as lucrative as any of these arts and crafts, the battle of wits and morals across literature tends to become marginalized. Now I can learn how to trace the plight of women writers since the 1960's feminist movements, but nobody's telling me what the hell I'm supposed to do about it.

The result of all this is that genre is pushed to the side because the widely-read books have no bearing on issues that are pushed as being contemporary, and the ones that actually deal with self-betterment (what could be more relevant to anybody?) are treating an outdated issue. If we fight for such truly fabricated ideals as the greater good and the future instead of learning to treat other people, things fall apart.

Here's some shameless advertisement: the fantasy trilogy I'm currently writing is all about what happens when one person has the responsibility to change the world, or when someone wants that chance but doesn't get it.

What fun! Here's what you can do about this: read everything. I believe that's the wisest thing I have ever had to say. Lots of responsibility comes along with it, such as the willingness to communicate what you've learned with other people, and encourage them to do the same. After all, most of the problems in the world, on whatever scale you decide to tackle them, have to do with a lack of communication, or with people who think they already know it all, or don't care. And unlike nihilist deconstructionist critics, I'm of the opinion that there is plenty to share with each other.

Monday, July 2, 2012

Review: On Stranger Tides by Tim Powers (1987)

Who knew that the fourth installment in the Pirates of the Caribbean trilogy... um, franchise, was based on a book? I didn't! And after reading both this book and the movie's summary on Wikipedia, I still don't, no matter what the publishers or Jerry Bruckheimer claim. But that doesn't reflect poorly on the book. The main thing in common between On Stranger Tides and the actual inspiration for Pirates of the Caribbean is that they're both roller coasters; I can't speak for the literal theme park ride, but Tim Powers' novel is certainly worth a try.

In the early 1700's, John Chandagnac is traveling to the Caribbean in order to regain an inheritance stolen by his shady uncle. As these things go, his ship is captured by pirates, who press-gang him into their crew and redub him Jack Shandy. Shandy begins to discover that the vodun (that's voodoo) superstition held by nearly everyone he meets may have a lot of truth to it; the eerie powers of this hemisphere have also led ex-professor Benjamin Hurwood to bring his beautiful daughter Elizabeth on a quest that crosses paths with Shandy. Together with pirate king Blackbeard and psychopathic physician Leo Friend, these characters embark on a quest for the Fountain of Youth, the consequences of which will decide which powers have the upper hand in the rising New World empires.

Adventure is the theme of this book. Shandy is no Jack Sparrow in that he's not a major cause of every problem that faces him; he's more of a blank slate for the reader to experience the supernatural world Powers creates. This can be bad at times, especially including his relationship with Beth Hurwood, with whom (you guessed it!) he falls in love for reasons that are never made clear. She's not a profound character, either; she's unconscious for most of the central quest, and she spends literally all of her limited time in the book as a damsel in distress. I was particularly skeptical of the fact that when Shandy sets out to save her for the last time, he hasn't seen her for weeks, still hasn't said more than a few lines to her (though it's implied they hung out for about a week while Shandy was helping to rebuild a boat), and what's worse, he could have begun searching for her at any point in those past few weeks. The resolution is kicker, but I don't want to spoil it entirely. No, kids, don't read this one for the romance.

All the other characters are pretty solid, however. Blackbeard himself is fantastic, both literally and figuratively. The magic can get pretty corny, resembling some sort of collaboration between George Lucas and Terry Pratchett, but it's tied together with strong vodun themes, so it's always interesting. Powers definitely did his research for this one. Every event and detail struck me as solidly based on historical and cultural research, even the creepy plant-monsters. And what's not to love about an ancient Ponce de Leon who talks to chickens?

I'd recommend this book to anybody who's looking for a solid adventure book with a degree of depth. Powers alludes quite a bit to the Odyssey, and that element comes off quite successfully. The sea's the limit for zany nautical adventures and forgetting to save your family and friends!