Monday, September 11, 2017

Review: The Eternal Husband by Fyodor Dostoyevsky

Alexey Ivanovich Velchaninov is a man who has everything he wants: land, money, prestige, and, most importantly, a way with women. All this is thrown in jeopardy when he becomes shadowed by a mysterious man who eventually reveals himself as Pavel Pavlovich Trusotsky, a man whose house Velchaninov used to visit frequently in another city. With a good deal of his land and money at stake in a lawsuit, Velchaninov faces added psychological turmoil at the memory of an affair he had with Pavel Pavlovich’s late wife. He begins to wonder anxiously whether his new “friend” is aware of the affair and whether he has sought him out to execute revenge. In the middle of this silent feud is Pavel Pavlovich’s young daughter Liza, a tormented girl whom Velchaninov begins to treat like his own daughter, and after all, she might well be.

After being underwhelmed by The Double and Notes From theUnderground, I was delighted to rediscover what I love about Dostoyevsky in this little novella. It has all the psychological roller coaster of his other works, but loses no coherence even when Velchaninov is at his least sane. Its ethical focus is what ties it together; Velchaninov, though justly persecuted by a man he has wronged, has matured since his affair and become a kinder man than Pavel Pavlovich. His efforts to give Pavel Pavlovich the benefit of doubt are an even greater struggle than his fear of retribution. In many ways, the suspense of this story has less to do with fear and more to do with redemption, which, as always, is a great theme of Dostoyevsky.

Redemption is presented even to the readers who do not identify with Velchaninov as a great, sucessful man; Pavel Pavlovich, too, has many opportunities to regain his honor without harming his old friend. His portrayal as a far less likable character invites us to assume the worst of him, but gradually there emerges the possibility of a second life for this man who lost everything at once. What looms in the background is the great seed of human vice: that wrong will never stop growing, here if Velchaninov’s wrong toward Pavel Pavlovich will cause the latter to destroy himself in wronging the former. We can learn from this most effectively on a microcosmic scale, by examining where we “pay forward” grievances and where we allow them to die.

I recommend this novel to anybody looking for an entrance to this era of Russian literature. While not as grand or genius as Dostoyevsky’s more famous books, it is more accessible and contains most of his essential themes. The characters are masterfully woven and relatable, complete with hopes and pains we all feel at some point.